Like a junkie looking for an angry fix, I need music. This has fueled a lifelong obsession with finding and acquiring new music from every nook and cranny of the known world. (Currently looking for great electronica music from China if you happen to have any recommendations.)
I grew up on Motown, punk and post punk music, including electronic derivatives. And I acquired a passion for jazz, blues and its offspring over the years.
As anyone knows who has seriously studied the Bible, the deeper I go into the music world, the less I realize I know. The less I know I've heard. The more I battle the depressing reality that I won't even scrape the surface of what musicians in the world have to offer.
There's a lot of crap out there. No doubt. But there's a lot of head-defying, soul-stirring songs and musicians. Most living invisible and obscure lives way outside the spotlight. (I was excited to stumble upon Brody Harper's "Music You've Never Heard" section last year. Check it out.)
Here's what life as a music snob has revealed so far.
I steal songs.
All fans are thieves. I'm not talking about illegal downloads or anything like that. I'm talking about who really owns the songs. Fans do.
The moment a song is presented to the world, it's a gift. And we take this gift, which is essentially an emotion, and we make it part of our lives.
Big Country was a Scot rock group best known to Americans for the songs "In a Big Country" and "Fields of Fire" in the early 1980s. But for me they were a primary sound in the palette of Dalton, Georgia, where I grew up. And their later work is associated with Florida. I stole their songs (and many others) and made them part of my life.
You do too.
I know you by your songs.
Your taste in music sucks. Your taste in music also rocks. So does mine.
Because we steal songs and make them part of our own little private worlds, there's no possible way any song can be heard in the same way by two different people. It's not possible.
What this means is, even though I sometimes do, I can't fairly judge you by your taste in music. Because I can't hear the songs the way you do. I can't relate. I can't experience them as you. And you can't experience songs as me.
That means we need each other. We need to search for ways to share and convey what certain music means to us. Maybe we can experience the familiar in unfamiliar ways.
What this also means, though, is that birds of a feather indeed flock together.
It's a tribe thang.
During my high school years, I remember Tears for Fears coming to our local arena in Tampa, Florida. In PE, some guys in their metal head t-shirts were "debating" how big of "fags" Tears for Fears actually were. (I loved Songs from the Big Chair. Still do.)
I learned sometime later that these tough guys actually went to the Tears for Fears concert. Why? Because, it's a tribe thang. There's something spiritual about being crammed into a place with thousands of strangers who gather around a common purpose. There's also something energizing about being part of something (like it or not) that's a big deal. That's why Twitter and Facebook and MySpace and every other site that's hit the big time has hit the big time.
I'm not the only music snob out there. What about you?
How do you experience music? How do you share it with others? How do you feel when others don't "get it" the way you do?
[I even stole the line "looking for an angry fix" from Allen Ginsberg's masterpiece "Howl."]